
QuikTrip, a local gas station, has an awesome promotion for their premium gas. Posters on the pumps (point-of-pump advertising?) show large gas nozzles with the following text:
Like fine wine, except it tastes nasty.
There’s a couple of interesting things going on in that ad. The humor is obvious (I thought it was hilarious and I laugh every time I think of it, although it got a groan from one guy in my room). What’s more subtle is the fine wine reference.
The phrase ‘fine wine’ isn’t about wine, and you don’t even have to like wine for the ad to be effective. Fine wine signifies something like the idea of the upper class, but not quite as tangible or clear-cut. It signifies a state that people aspire to.
We are wired to want to improve. That’s why the American Dream is so powerful, why the standard of living tends to increase from generation to generation, why the Jeffersons aren’t the only ones “movin’ on up.” We
all want to move up, and whenever possible we make choices that will help us improve our lives.
Effective ads make good use of important observations about human psychology, and about society as a whole. In the ads we produce here at PlattForm, we know that illustrating outcomes and achievements – addressing those strong yet hard-to-codify aspirations – produces results.
Being a paralegal, for example, has a certain status, a certain amount of
cultural capital. And it’s our job as designers to convey that capital in our type, photo and layout choices to get readers to pick up the phone or log on to a website.
If we don’t, we and our message stay locked out. But when we do, we address the meanings and aspirations
that the reader already possesses.
Like a key turning a lock, the message clicks.